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In 1962 the poet, musician, and performer Maya Angelou claimed another piece of her identity by moving to Ghana, joining a community of "Revolutionist Returnees" inspired by the promise of pan-Africanism. All God's Children Need Walking Shoes is her lyrical and acutely perceptive exploration of what it means to be an African American on the mother continent, where color no longer matters but where American-ness keeps asserting itself in ways both puzzling and heartbreaking. As it builds on the personal narrative of I Know Why the Caged Bird Sings and Gather Together in My Name, this book confirms Maya Angelou’s stature as one of the most gifted autobiographers of our time.
In 1962 the poet, musician, and performer Maya Angelou claimed another piece of her identity by moving to Ghana, joining a community of "Revolutionist Returnees" inspired by the promise of pan-Africanism. All God's Children Need Walking Shoes is her lyrical and acutely perceptive exploration of what it means to be an African American on the mother continent, where color no longer matters but where American-ness keeps asserting itself in ways both puzzling and heartbreaking. As it builds on the personal narrative of I Know Why the Caged Bird Sings and Gather Together in My Name, this book confirms Maya Angelou’s stature as one of the most gifted autobiographers of our time.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
About the Author-
Maya Angelou is an accomplished poet, writer, performer, teacher, and director. Born in St. Louis, she was raised in Stamps, Arkansas, and then went to San Francisco. In addition to her bestselling autobiographies, beginning with I Know Why the Caged Bird Sings, she has also written five poetry collections, including I Shall Not Be Moved and Shaker, Why Don't You Sing?
Reviews-
March 4, 1986 To read Angelou's book, the latest in a series of autobiographical works begun with I Know Why the Caged Bird Sings, without being moved would seem impossible. Here, this American poet, actress, civil rights activist and TV producer-director recalls her pilgrimage to Ghana in the early 1960s. Ostensibly, Angelou went there so that her son could study at the University of Ghanato put him (and herself) in touch with long-imagined ancestral roots. Sadly, she was disillusioned by the subtle rejection of native Ghanaians. Fighting this painful sense of not belonging, she plunged into activities; appearing in Genet's play The Blacks with black American performers, she went briefly to Berlin, where she underwent a searing experience dining in the home of a wealthy crypto-Nazi German. Other encounters, even the more pleasurable ones, hardly mitigate the homesickness and hurt underlying Angelou's poignant recall, which includes a meeting with Malcolm X and her visit to a village where, centuries ago, black men sold other black men, women and children to white slave traders. First serial to Essence.
Los Angeles Times Book Review
"An important document drawing more much-needed attention to the hidden history of a people both African and American."
The Boston Globe
"This is a superb account by a great woman who has embraced a difficult destiny with rare intelligence and infectious joie de vivre."
The Washington Post Book World
"Maya Angelou regards the world and herself with intelligence and wit; she records the events of her life with style and grace."
Chicago Tribune Book World
"Angelou's journey into Africa is a journey into herself, into that part of every Afro-American's soul that is still wedded to Africa, that still yearns for a home."
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Knopf Doubleday Publishing Group
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