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Geoffrey Chaucer's fourteenth-century masterpiece The Canterbury Tales is such a rollicking good read that you'll forget many critics and scholars also regard it as one of the most important literary works in English. A group of pilgrims are traveling together to visit a holy shrine at the Canterbury Cathedral. Along the way, they decide to hold a storytelling contest to pass the time, with the winner to be awarded a lavish feast on the return trip. The tales offered up in turn by each of the travelers run the full gamut of human emotion, ranging from raucous and ribald jokes to heartrending tales of doomed romance. Even if you don't consider yourself a fan of classic literature, The Canterbury Tales is worth a read.
Geoffrey Chaucer's fourteenth-century masterpiece The Canterbury Tales is such a rollicking good read that you'll forget many critics and scholars also regard it as one of the most important literary works in English. A group of pilgrims are traveling together to visit a holy shrine at the Canterbury Cathedral. Along the way, they decide to hold a storytelling contest to pass the time, with the winner to be awarded a lavish feast on the return trip. The tales offered up in turn by each of the travelers run the full gamut of human emotion, ranging from raucous and ribald jokes to heartrending tales of doomed romance. Even if you don't consider yourself a fan of classic literature, The Canterbury Tales is worth a read.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Reviews-
October 1, 1988 Like Charles Lamb's edition of Shakespeare, Hastings's loose prose translation of seven of Chaucer's tales is more faithful to the work's plot than to the poet's language. This is not a prudish retelling (even the bawdy Miller's tale is included here) but the vigor of Chaucer's text is considerably tamed. In the original, the pilgrims possess unique voices, but here the tone is uniformly bookish. The colloquial speech of the storyteller is replaced by formal prose; for example, while Cohen (see review above) directly translates Chaucer's ``domb as a stoon'' as ``silent as stones,'' Hastings writes ``in solemn silence.'' Cartwright's startling paintings skillfully suggest the stylized flatness of a medieval canvas, but often without the accompanying richness of detail. Like Punch and Judy puppets, the faces and voices of these pilgrims are generally representative but lack the life and charm of the original text. Ages 10-up.
September 7, 2009 Ackroyd's retelling of Chaucer's classic isn't exactly like the Ethan Hawke'd film version of Hamlet , but it's not altogether different, either. Noting in his introduction that the source material “is as close to a contemporary novel as Wells Cathedral is to an apartment block,” Ackroyd translates the original verse into clean and enjoyable prose that clears up the roadblocks readers could face in tackling the classic. “The Knight's Tale,” the first of 24 stories, sets the pace by removing distracting tics but keeping those that are characteristic, if occasionally cringe-inducing, like the narrator's insistence on lines like, “Well. Enough of this rambling.” The rest of the stories continue in kind, with shorter stories benefiting most from Ackroyd's treatment, though the longer entries tend to... ramble. The tales are a serious undertaking in any translation, and here, through no fault of Ackroyd's work, what is mostly apparent is the absence of the original text, making finishing this an accomplishment that seems diminished, even if the stories themselves prove more readable.
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Duke Classics
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